Tag Archives: Space

Gender and Space in Rural Britain, 1840-1940

This one has been a bit quiet for a while as I’ve been busy with a couple of other publications since, but my first edited collection Gender and Space in Rural Britain, 1840-1940 which I co-edited with Dr Gemma Goodman (Warwick), is now available in paperback for £34 from Routledge.

The collection was generously reviewed earlier this year by Josephine McDonagh in Victorian Studies 58.2 (pp. 383-385).

At a glance, the contents are as follows:

Introduction: Gender and Space in Rural Britain, 1840-1920, Gemma Goodman and Charlotte Mathieson

  1. ‘Women in the Field’, Roger Ebbatson
  2. ‘Between two civilizations”: George Sturt’s constructions of loss and change in village life’, Barry Sloan
  3. ‘At Work and at Play: Charles Lee’s Cynthia in the West’, Gemma Goodman
  4. ‘“Going out, Going Alone”: Modern Subjectivities in Rural Scotland, 1900-1921’, Samantha Walton
  5. ‘“Drowned Lands”: Charles Kingsley’s Hereward the Wake and the Masculation of the English Fens’, Lynsey McCulloch
  6. ‘“Wandering like a wild thing”: Rurality, Women and Walking in George Eliot’s Adam Bede and The Mill on the Floss’, Charlotte Mathieson
  7. ‘“I never liked long walks”: Gender, Nature, and Jane Eyre’s Rural Wandering’, Katherine F. Montgomery
  8. ‘Gertrude Jekyll: Cultivating the Gendered Space of the Victorian Garden for Professional Success’. Exploring the work of Gertude Jekyll (1843-1932)’ Christen Ericsson-Penfold
  9. ‘From England to Eden; Gardens, Gender and Knowledge in Virginia Woolf’s The Voyage Out’, Karina Jakubowicz
  10. ‘The Transnational Rural in Alicia Little’s My Diary in a Chinese Farm’, Eliza S. K. Leong
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Dickens apps, maps and more

This week I’ve been finishing an essay on Dickens 2012 and ‘locating the Victorians in the bicentenary year’; although I’ve written and spoken about this work quite a few times now (including an essay in this forthcoming book), this piece has given me the opportunity to focus on more detailed analysis of content included in Dickens apps, maps, podcasts and films. It’s led me to discover some great resources on the theme of Dickens and London, so I thought I’d collect these together into a blog post with a brief review of each.

Apps and audio podcasts

  • The Guardian audio walks; this five-part series of walks around Dickens’s London, Rochester and Portsmouth by The Guardian are excellent: informative, engaging, and lively discussion, interspersed with readings from the text. In 2012 I tried out two of the walks – The Heart of the City and David Copperfield – and wrote about them for JVC Online.
  • Dickens in Southwark; I haven’t had the chance to do these walks myself, but I’ve been greatly impressed just using the app and listening to the audio of this walk. The core content is lively and informative, while there is extra audio on the map that was developed from a creative project involving Southwark residents. The app is easily navigable, has a well-functioning map, and with a total of 25 ‘stops’ there is lots of content to explore.
  • Dickens Trail, Charles Dickens Museum; this app uses Dickens’s characters as a guide to his London locations, with four themed walks following Magwitch, Lady Dedlock, the Artful Dodger, and Samuel Pickwick. The real shame of this app is that there is no audio content, only text on a map, which makes for a much less engaging experience.mzl_xswkqymm_320x480-75
  • Dickens Dark London; this was one of the first Dickens apps that I came across and reviewed, a little harshly perhaps. The idea of the content is nice, with illustrations accompanying a reading of extracts from Dickens’s works, themed around his night walks, but it’s a shame there is so little free content – only one serial installment is provided and the rest are priced at £1.49 each. The best thing about this app is its map feature, which combines an 1862 map with a map of contemporary London, and allows you to scroll between each or view a composite image of the two – great for easily viewing structural changes to the city.
  • Celebrating Dickens; the University of Warwick’s Dickens offering includes a wealth of material from researchers and students at the University of Warwick on many aspects of Dickens’s life and writing, and the app features a navigable map of Dickens locations not just in London but also in East Anglia, Kent and the Midlands. Highly recommended, of course!

Creative projects

  • The Houseless Shadow; directed by William Raban, this is a short version of the full film installation that was commissioned by the Museum of London for their Dickens and London exhibition. The piece uses a reading from Dickens’s essay “The Night Walks” with images of the contemporary city. Raban discusses the aims behind the piece in this conversation recorded at the BFI.
  • The Uncommercial Traveller; this project by the British Council created a series of theatrical audio guides to Penang, Melbourne, Singapore and Karachi. The audio aims at creating a really evocative experience of each city and makes for interesting listening even if you aren’t in the relevant city.
  • Sketches by Boz: Sketching the City; another British Council project that developed written and artistic creative responses to cities around the world through a Dickensian lens
  • Dickens and London film; the British Council produced a collection of teaching resources on Dickens 2012 and I particularly enjoyed this short piece on Dickens and London

 

Travelling between the Centre and Periphery: Creating a Feminist Dialogue for the Diaspora

On Friday 11th July 2014 the IAS Travel and Mobility Studies Research Network held its second annual conference, “Travelling between the Centre and Periphery: Creating a Feminist Dialogue for the Diaspora”. With the aim of developing discussions of diasporic writing and the centre-periphery framework through a focus on feminism in travel narratives, the one-day event included a keynote presentation by the acclaimed Professor Miriam Cooke (Duke University) as well as ten presentations by academics working on contemporary and postcolonial literary studies, migration studies, history of art and contemporary art theory. The day produced rich and interesting discussions on centre-periphery frameworks, theories of the diaspora, transnationalism, mobility and gender, generating a diverse set of feminist perspectives on these themes.

The day commenced with Professor miriam cooke’s keynote on “Women and the Arab Spring”. miriam cooke provided an overview of the role of women during and after the Arab Spring. She argued that Arab women have a century-long history of participating in their countries’ revolutions, irrespective of attempts to remove them from the public sphere. She provided examples of women who have been forced into exile, and thus continue their activism using social media.

The first panel of the day, “Bodies and Flight”, provided three perspectives on the intersections between gender, mobility and diasporic theories. Lindsey Moore discussed Camilla Gibb’s Sweetness in the Belly (2005) to open up wider questions of female identity formation and travel; exploring issues around the representation of religion and spirituality, literacy and reading, and different spaces, Moore ended by suggesting that the text reiterates travelling across boundaries as productive to the identity of the female traveller. Max Andrucki and Jen Dickinson’s paper argued that while economic models are typically privileged in discussions of the centre-periphery framework, a more diverse and mobile concept of centrality and marginality might be posited as a productive theoretical model; two case studies of migrant experiences demonstrated how a ‘performative’ idea of the diaspora could be conceptualised. Anna Ball looked to challenge centre-periphery frameworks through an exploration of bodies in flight, reading three cinematic works that portray Afghan women’s flight to propose the concept of a ‘mobile periphery’.

In “Transnational Travel Narratives”, Ester Gendusa offered a reading of Bernardine Evaristo’s Soul Tourists (2005) that raised questions of identity and belonging, suggesting that diasporic belonging can be perceived as an issue of self-identification with particular groups, communities or identities. Maryam Ala Amjadi’s paper explored gender and mobility in the Safavid world, analysing the writing of a female traveller who travelled from Persia to Mecca in the late seventeenth century. Demystifying the figure of the Safavid female traveller, Amjadi drew links with contemporary representations of Persian/ Iranian women and explored the historical implications of these ideas.

Panel C on “Feminism and the Diaspora” endeavoured to examine the impact migration has on women. Latefa Narriman Guemar shared her research into highly skilled Algerian women who emigrated during the 1990s. Dr Enaya Othman focused on Palestinian immigrant women and the meaning ascribed to their choice of dress, which is often used to demonstrate belonging and affiliation.

In the final panel on “the Diaspora in Visual Arts” both papers explored the feminine visual diaspora; art reflecting interactions with place and the effects of diasporic movement. Kuang Sheng began the panel by showcasing the artworks of a Chinese female artist Yin Xiuzhen who creates ‘Portable Cities’, unfolded suitcases full of manipulated second hand clothes designed to emulate different geographical places. Dr Maria Luisa Coelho focuses on the Portuguese female artist Maria Lusitano who tries to recreate the experience of being torn between home and abroad through her autobiographical visual work.

The organisers would like to thank the Humanities Research Centre, Institute of Advanced Study, Faculty of Arts and Connecting Cultures Global Research Priority for their support.

Roxanne Bibizadeh and Charlotte Mathieson

Coming up: Mobility Cultures Colloquium at Lancaster, September 2014

I’m very pleased to have been invited to speak at the Mobility Cultures Colloquium at the Centre for Mobilities Research, Lancaster University, on 5th September 2014.

‘Mobility Cultures’ brings together people who draw upon literary/cultural texts in their mobilities research (e.g., sociologists, geographers, environmentalists, those working in transport studies)and Humanities scholars (across the disciplines) whose research has a mobilities dimension.

I will be speaking on Victorian literary mobilities and the case of Dickens’s Bleak House, developing ideas from this article with material from my current book project. I’m especially looking forward to approaching this work more from the theoretical perspective of mobilities/geography frameworks, particularly after Peter Merriman’s interesting talk on this subject at the What is Space workshop at Warwick this week.

‘A sea of stories’: Sea Narratives Symposium at Warwick, 24th January

Where are your monuments, your battles, martyrs?

Where is your tribal memory? Sirs,

in that gray vault. The sea. The sea

has locked them up. The sea is History.

Fishermen at Sea, by JMW Turner, 1796
Fishermen at Sea, by JMW Turner, 1796

Derek Walcott’s poem “The Sea is History” was one of our starting points for the symposium on Sea Narratives organised as part of the Travel and Mobility Studies Network at Warwick. When we formed the idea for this symposium, we hoped to create an interdisciplinary forum that would generate multiple and intersecting perspectives on the rich histories, geographies, and narratives of the sea. We were certainly not disappointed, and the 6 speakers that presented throughout the day provided a fascinating array of insights into the places, practices, and politics that shape the sea.

Continue reading ‘A sea of stories’: Sea Narratives Symposium at Warwick, 24th January

Sea Narratives symposium, 24th January

Paul Morstad, ‘High Seas Hobo Victrola’, 2012.
Paul Morstad, ‘High Seas Hobo Victrola’, 2012.

Where are your monuments, your battles, martyrs?

Where is your tribal memory? Sirs,

in that gray vault. The sea. The sea

has locked them up. The sea is History.

– Derek Walcott, ‘The Sea is History’

This symposium aims to provide a forum for an interdisciplinary exchange on the theme of ‘sea narratives’, looking at how the sea has figured as an important site in different cultural and geographical contexts. We are interested in how humans have interacted with the sea through trade, labour, migration, leisure and exploration; how it has figured in national contexts as a site of geopolitical control; and how it has featured in the cultural imagination as a space of danger and the unknown, but also as a source of inspiration. Derek Walcott constantly returns to the sea in his poetry, linking it powerfully with a colonial history and struggles with the difficulty of retrieving the stories it holds. The artist Paul Morstad uses old maps for his canvases, on which fantastic creatures hover over geographic boundaries, raising questions about mapping the water world. This symposium takes these varied, contested and provocative ways in which the sea has been chronicled as its beginning and invites its speakers to present their own critical perspectives.

Papers by:

Jon Anderson (Cardiff) ‘Exploring the space between words and meaning: knowing the relational sensibility of surf spaces’

Will Wright (Sheffield) ‘Encountering the tsunami: the sea, memory and communities of practice in south-eastern Sri Lanka’

Emma Spence (Cardiff) ‘“You can’t be on a boat and not explode when you get to land”. A study of maritime mobility in the South of France’

Michael Harrigan (Warwick) ‘Narrating the early modern French sea voyage to Asia: trajectory and text’

Elodie Duché (Warwick) ‘“A Sea of Stories”: Narratives of Capture at Sea During the Napoleonic Wars’

Barbara Franchi (Kent, ‘Travelling across Worlds and Texts in A. S. Byatt’s Sea Narratives’

The symposium will be held at the University of Warwick on Friday 24th January, at the Institute of Advanced Study. See the event webpage for full details and registration (free, including lunch, but please fill in the online form for our records).