The collection came out of a conference of the same name held at Lancaster University in April 2017, which proved to be a really inspiring event in establishing the relationship between mobilities studies and literary and cultural studies, and we’re delighted that the book reflects an exciting range of topics and methodological approaches. The book covers themes of mobility and nation, embodied subjectivities, the geopolitics of migration, and mobility futures. We have also written a substantial introduction with an expansive bibliography which we hope will be a useful resource for scholars, especially those who are new to the field. The book can be purchased as an e-book or hardback on the Palgrave website.
We are always happy to receive expressions of interest and proposals for the series, which thus far has publications on the hotel in modern literature, migration and the body, automobiles in French Indochina, and memory and the life course in 20th-century literature, with more works on topics including aeromobilities and roadside spaces on the way. Please do get in touch if you would like to discuss a potential proposal!
Having posted already about a new Charlotte Brontë publication at the start of July, the month finished with a second: a chapter in this new book, Charlotte Brontë: Legacies and Afterlives, edited by Amber K. Regis and Deborah Wynne and published by Manchester University Press. The book traces Charlotte Brontë’s legacies from the time she was writing to the present day and I’m delighted to have my work included among a fantastic set of contributors.
My chapter, titled “Brontë countries: nation, gender and place in the literary landscapes of Haworth and Brussels”, looks at how these two locations developed distinctly different Brontë afterlives in the 19th century and beyond. Haworth is familiar to many as a key Brontë location, and the Yorkshire landscape of “Brontë country” is central to the enduring cultural myth of the Brontës. Even before Charlotte Brontë’s death in 1855, intrigued readers had begun to visit the Parsonage, and the publication of Elizabeth Gaskell’s Life of Charlotte Brontë in 1857 instigated a steady stream of visitors that has continued to the present day, generating a significant tourist industry at Haworth.
Brussels also holds an important place in Brontë’s work (as my last article explores, it afforded Brontë new opportunities for urban wandering that shape her novel Villette) and while on a much smaller scale, generations of readers have gone in search of another “Brontë country” to be traced in the city’s streets (as I have too – I blogged a photo-essay of Brontë’s Brussels here, and reflected on “Finding Brontë in Brussels” here).
In this essay for Charlotte Brontë: Legacies and Afterlives I explore the history of literary tourism in Brussels, focusing particularly on late-nineteenth century accounts. I look at how the unofficial and less scripted nature of Brussels literary tourism – tourists typically make their own way through the streets, a copy of Villette in hand serving as guidebook – allows instead for alternative narratives of Charlotte Brontë to plotted into the cityscape, narratives which especially emphasise connections between gender, identity and place. I suggest that at the moment of her bicentenary, these narratives offer an important complement and counterpart to the dominant cultural image of Brontë as she is associated with Haworth and the Yorkshire landscape, and offer new perspectives from which to consider her works and their afterlives.
My article “‘A still ecstasy of freedom and enjoyment’: Walking the city in Charlotte Brontë’s Villette” has beenpublished online in the Journal of Victorian Culture. In this piece, I suggest that Brontë’s writing of women’s city walking makes a significant contribution to the idea of the flâneuse. Through a reading of Brontë’s letters from Belgium and her 1853 novel Villette, I argue that Brontë writes herself and Lucy Snowe into a growing canon of strolling city women, and that she brings a new perspective to the construct of the flâneuse through an embodied articulation of urban city wandering.
I start by looking at the prevalence of travel in Brontë’s letters, locating her within a new wave of women on the move in the mid-nineteenth century. There is a competing tension between the desire for mobility – “such a strong wish for wings” – and the reality of containment within the home, that runs through her letters, and this goes on to shape her fictional writing.* I then turn to her letters from Belgium: the city afforded Brontë new opportunities for “threading the streets”, and she starts to develop an attentiveness to the relationship between body, mobility and space that is developed more substantially in Lucy Snowe’s city encounter in Villette. Here, the thrill of city walking – “a still ecstasy of freedom and enjoyment” – emerges as an acutely embodied experience, and I argue that through this Brontë carves out a new discursive space for her woman walker, shifting from the spectatorship of the flâneur to a more fully sensory experience of the urban environment. This becomes crucial to the strong sense of autonomy and agency that walking affords women; at the same time, Brontë recognises the difficulties of mobility for women, and in the final section I look at how she negotiates this tension through highly embodied accounts of Lucy’s wandering in later sections of Villette.
The special issue of the Journal of International Women’s Studies, featuring winning and shortlisted entries from the 2016 Feminist and Women’s Studies Association’s Annual Student Essay Competition, is now published. The issue is co-edited by me and Laura Clancy, and this was the last round of the competition that I worked on before moving to my current role of Chair of the FWSA. Once again, it was a pleasure to work on the competition and it’s wonderful to see these entries published.
Two book reviews published this month: my review of Jude Piesse’s British Settler Emigration in Print, 1832–1877 is now available in Literature & History 25.2, and my piece on The Brontë Sisters In Other Wor(l)ds by Shouhua Qi and Jacqueline Padgett is in the latest issue of Victorian Studies (58.4).
This one has been a bit quiet for a while as I’ve been busy with a couple of other publications since, but my first edited collection Gender and Space in Rural Britain, 1840-1940which I co-edited with Dr Gemma Goodman (Warwick), is now available in paperback for £34 from Routledge.
The collection was generously reviewed earlier this year by Josephine McDonagh in Victorian Studies 58.2 (pp. 383-385).
At a glance, the contents are as follows:
Introduction: Gender and Space in Rural Britain, 1840-1920, Gemma Goodman and Charlotte Mathieson
‘Women in the Field’, Roger Ebbatson
‘Between two civilizations”: George Sturt’s constructions of loss and change in village life’, Barry Sloan
‘At Work and at Play: Charles Lee’s Cynthia in the West’, Gemma Goodman
‘“Going out, Going Alone”: Modern Subjectivities in Rural Scotland, 1900-1921’, Samantha Walton
‘“Drowned Lands”: Charles Kingsley’s Hereward the Wake and the Masculation of the English Fens’, Lynsey McCulloch
‘“Wandering like a wild thing”: Rurality, Women and Walking in George Eliot’s Adam Bede and The Mill on the Floss’, Charlotte Mathieson
‘“I never liked long walks”: Gender, Nature, and Jane Eyre’s Rural Wandering’, Katherine F. Montgomery
‘Gertrude Jekyll: Cultivating the Gendered Space of the Victorian Garden for Professional Success’. Exploring the work of Gertude Jekyll (1843-1932)’ Christen Ericsson-Penfold
‘From England to Eden; Gardens, Gender and Knowledge in Virginia Woolf’s The Voyage Out’, Karina Jakubowicz
‘The Transnational Rural in Alicia Little’s My Diary in a Chinese Farm’, Eliza S. K. Leong
I am delighted to say that Sea Narratives: Cultural Responses to the Sea, 1600–Present has now been published with Palgrave Macmillan and can be purchased from the Palgrave website for £66.99 or as an ebook for £49.99; chapters can also be purchased individually. My thanks go to the contributors for their hard work on the fascinating chapters; it really was a pleasure to work on this book from start to finish.
I have written more here about the premise and contents of the book.