Just a quick post after this caught my eye in the Guardian last week – the “maps” of photographer Sohei Nishino, who collates thousands of photos of cities into a diorama. The effect is a fascinatingly detailed and intricate vision of the city, and I particularly love how the final image seems to play with its own un/reality; both suggesting “reality” in using close-up photographs that attempt to capture every miniature truth of the city, yet constantly revealing its own artifice in the patch-work effect that results from collaging each individual photo, creating a jarring from the joins between multiple fragments. The visual appeal, I think, is one of fascination from the continual visual readjustment that the image demands; from a distance, the strangely familiar yet oddly fragmented image draws one in for a closer look at the individual pieces, yet in looking closer I almost immediately want to move back out again, realising that the detail is made meaningful only in contemplation of the whole. And so on.
All this, however, is only from the computer screen – I’ll hopefully visit the Museum of London’s exhibition of London Street Photography to view this, and what sounds like a wonderful collection of other street photographs on display there.
(and as an afterthought, which was going to be my starting-point before I realised I didn’t have a response, yet: how, and in what ways, is this a “map”?)